Christianson, Linda | Minnesota
My daily practice begins with the making of 4 teab
My daily practice begins with the making of 4 teab
Chung, Sam | Arizona
A consistent point of departure for my work has be
A consistent point of departure for my work has be
Clarke, Bede | Missouri
My goal in making this work has been to create qui
My goal in making this work has been to create qui
Cleary, Naomi | Pennsylvania
Dishes hold potential for human connection through
Dishes hold potential for human connection through
Clemo, A. Blair | Michigan
My current work is primarily made from both wheel-
My current work is primarily made from both wheel-
Clennell, Sheila | Ontario
I am drawn to form before surface. The forms are t
I am drawn to form before surface. The forms are t
Clennell, Tony | Ontario
My work at it's best is strong, casual, confident
My work at it's best is strong, casual, confident
Cobb, Sunshine | Montana
I want my work in clay to represent growth and acc
I want my work in clay to represent growth and acc
Cochenet, Greg | Connecticut
My work is a creative remnant, much like the agrar
My work is a creative remnant, much like the agrar
Cochrane, Bruce | Canada
After 25 years of working in clay, utility continu
After 25 years of working in clay, utility continu
Coffin, Nan | California
As a self-employed potter who works alone, yet enj
As a self-employed potter who works alone, yet enj
Colby, Steven | Colorado
My studio practice is centered around observation
My studio practice is centered around observation
