ART

GOTTUSO%2C+JIM

GOTTUSO, JIM
GOTTUSO, JIM
KENTUCKY
I am very interested in the complete cycle of creating clay objects. Working on the wheel has provided a framework, grounded in functionality, which allows creativity to flourish. Functional demands inform aesthetics and vice versa creating an evolution that hopefully moves forward to better work. Imperfections that occur while aspiring to perfection are exciting and learning to let them be has been a challenge. Not setting out with strict limitations always allows some wiggle room to let something become something else. This makes each object’s creation different and the immense frontier of possibilities provides exhilaration. Wondering about the unknown results in the coming years of trial and error, a period that all potters eventually get under their belts, appeals to a sense of anticipation about the promise of the future.

I’ve written statements about my work over the years and as I’ve matured I’ve come to look at what I do in the broader context of what all artists, craftspeople, writers, musicians, etc. do. After attempting to distill this all down to a somewhat simply explanation and thereby jettison the inevitable “artspeak jibberish”, what I’m left with is this: Making things (and living life) is essentially a series of decisions, each one contingent on the previous. Therefore any evidence of those moments of decision (or the concealment of said moments) represents the object’s evolution from idea to its final state. Consequently, the work done on the objects themselves can be viewed as a metaphor for our existence. In the microcosm (my work), the calligraphic brushwork includes obvious examples of my decisions represented by each brushstroke’s change of direction. I try to make these quickly so that the results are almost a presentation of many decisions skirting the boundaries of my subconscious.

Sculpture was the area of fine art I pursued in graduate school and this nonfunctional 3D experience provides a subconscious foundation to decide whether a form satisfies my internal aesthetic or not and allows me to trust decisions made on the wheel without dwelling on them overtly. The decorative motifs and the evolution of said motifs are inspired by admiring natural beauty as well as the gamut of manmade visual vocabularies. There is a certainty of action that is apparent with many painters, sculptors, calligraphers etc. in their brushstrokes or marks in clay that is evidence of a wealth of experience and honing that I always respond to and I aspire to have that quality show up in my own work.

For many years I've been drawn to certain drawing, painting and calligraphic styles and usually cite artists like Cy Twombly and Mark Tobey as influences along with my perception/interpretation of Jung's automatic writing but after many years of not really caring about the origins of influence, I've come to believe that I've always just been in love with what happens when a brush, pen or pencil makes contact with another surface and using shellac as a resist on dried, unfired clay allows the surface to be etched without losing the immediacy and spontaneity of such brushwork.

EDUCATION
1977-1982
BFA / Drawing / Ceramics – Murray State University, Murray, KY
1982-1983
Graduate School / Ceramics – University of Montana, Missoula, MT
1983-1986
MFA / Sculpture – Southern Illinois University / Carbondale, IL

EXPERIENCE
2004-Present
Independent Ceramic Artist, Louisville, KY
Create one of a kind functional and decorative porcelain ceramic pieces.
1997-2004
Corvus Digital Solutions, Louisville, KY. VP of Operations/VP of Creative Development/Creative Director.
Oversaw all production with managers of system design, systems development, creative design, creative development, network administration, project management, and quality assurance as direct reports.
Served as Manager of IT Service which was a joint group for Corvus and our sister Company. This group addressed network administration, security, disaster recovery for both companies.
In addition to all internet development projects, led the product dvelopment team in the development of web-based/CD-based training software for the human resources training industry.
Developed internet and CBT applications from concept to completion including video production, script writing, audio, scripting language development, graphic design and information architecture.
1994-1996
Woodworker and Freelance Graphic Designer, Louisville, KY. Woodworker/Graphic Designer
Constructed original designed furniture. Developed graphic design projects.
1988-1994
White Wolf Computer Graphics, Louisville, KY. Computer Graphics Designer and Animator.
Produced 3D video animation for corporate training videos and television.
Developed 3D animation, 3D models, rotoscoping, 2D animation, audio production and video graphics.

RECENT EXHIBITIONS
2012
“Teabowl National” Kansas City Clay Guild – Kansas City
“Louisville Clay 10th Anniversary Show – Weber Gallery – Louisville KY
“Etched In Clay” – Solo Exhibition – Olivet College – Olivet, Michigan
“Iron Variations” – Schaller Gallery – St. Joseph, Michigan
“The Art Of It All” – Shy Rabbit Contemporary Arts – Pagosa Springs, CO
2011
“Pairings” – Carbondale Clay Center – Carbondale, Colorado
“An Artful Array-Bowls By KY Artists” – Berea, Kentucky
“Holidazzle 2011” Kentucky Museum of Arts and Crafts – Louisville, KY
2010
“Yunomi Invitational” – AKAR Design Gallery – Iowa City, Iowa
Two Person Show (with Jeff Campana) – Terra Incognito – Chicago, Illinois
Lilstreet International “Bowl Me Over” – Lilstreet Arts Center – Chicago, Illinois
“Last Call” – St. Petersburg Clay – St. Petersburg, Florida
“Clay and Blogs: Telling a Story” – Southern Pines, North Carolina
2009
“Yunomi Invitational” – AKAR Design Gallery – Iowa City, Iowa
“Holidazzle 2009” – Kentucky Museum of Arts and Crafts – Louisville, Kentucky
2008
“Yunomi Invitational” – AKAR Design Gallery – Iowa City, Iowa
2007
“Yunomi Invitational” – AKAR Design Gallery – Iowa City, Iowa
“Amalgamation” – Goodall Gallery – Louisville, Kentucky – 3 person exhibition @ NCECA
“History In The Making” – Genesee Pottery – Rochester, New York
“Holidazzle 2007” – Kentucky Museum of Arts and Crafts – Louisville, Kentucky
2006
“History In The Making” – Genesee Pottery – Rochester, New York
“Holidazzle 2006” – Kentucky Museum of Arts and Crafts – Louisville, Kentucky
“Contemporary Underglaze Blue” Padma Gallery – Des Moines, Iowa - solo exhibition
“Galleries at Gallery” - Heritage Gallery – Des Moines, Iowa
2005
“In Our Cups” – Geneseo, New York -purchase award
“Cup: The Intimate Object IV” - Charlie Cummings Clay Studio” – Fort Wayne, Indiana

PUBLICATIONS
2012
“Surface, Glaze & Form: Pottery Techniques
2010
“Etched In Clay” – article in Pottery Making Illustrated
“Ceramics Today – Jeffrey B. Snyder

PERMANENT COLLECTIONS
Personal Collection of Sidney Swidler
Rosenfeld Collection
Kentucky Fried Chicken International Headquarters
Murray Public Library